A Critique of Historio-scenography: Space and Time in Joseph-François-Louis comprehended in relation to other categories of space, including the peculiar. be none, a relationship which is also mirrored in the relationship of performer and attempt to capture something of the time spent in the performance space. View credits, reviews, tracks and shop for the Vinyl release of Time And Space on Discogs.
The association of goals and deadlines is a crucial feature in scripts.I Need Space In My Relationship: Asking For Space In Relationship Or A Marriage
In this case, the need to reach one hundred professors by the time of the event is what gives the interaction its rhythm. Cooren related to presentifying: In order to position actors, these must be re-presented in the interaction.
In the previous excerpts, we can see how this ordering work is interactively enacted by Alejandra and Paula: This positioning also implies the setting of boundaries of responsibility especially in lines 45—49 as Alejandra positions herself and Paula with respect to the main trajectory.
In this sense, the scripted trajectory may be seen as a narrative of ordering Doolin, ; Law, This narrative is a means through which the organization is told and put into action. According to Lawp. Ultimately, this goal was not quite reached. Nevertheless, the story told, as we will see next, was that of a success story. Accounting practices The third spacing practice that we have identified is what we call accounting practices: There is therefore a twofold dimension in accounting practices depending on whether one focuses on the accounts or the stories.
The first dimension refers to an accounting logic, which is very present in a project dynamic and associates a sanction to the achievement of a goal in a specific deadline. The second dimension refers to storytelling, the ability to tell good stories that appear consistent or aligned. In both cases, these accounting practices reproduce the ideology of the institutions in which they operate Quattrone, They embody the standards and specific criteria that are derived principally from the expectations and goals of the institution.
They are inscribed in a project dynamic where cuentas [numbers, in Spanish] and cuentos [story, in Spanish] have a strategic function. Cooren Spacing Practices add, have others travel with us. The following excerpt shows how accounting and storytelling are interwoven in presenting a good story one that counts!
The scientists, Paula told me they were Where they will go 26 Alejandra: A hundred or so 33 Alejandra: Because they are a little more than one hundred, in total, I calculate. Because if you 34 think all the people they [the cities] have recruited 35 Carla: OK, and what did they have there, what did they note she refers to a form that was 37 used in a meeting with the representatives of the cities to collect the information 38 about their proposed activities for the NSTW.
What is peculiar in this case and arises from the nature of projects is the expected equivalence between the plausible numbers and the projected ones. The changes they make to the press release, in addition to some spelling corrections, specifically correspond to the numbers of schools participating in the activities, the numbers of conferences, the number of cities, and so forth. As we read in one journal: The issue of coherence is not only internal i.
How is communication constitutive of social reality? Attempting to understand the constitutive role of communication in organizing is what we have pursued in this article. In proposing to take space-time seriously Massey,that is, as a concrete reality that informs communication as a social practice and theoretical framework, we have reflected on what we believe is a key issue for further communication theory development: Focusing on what we have named spacing practices contributes to understanding what space and time mean, as well as what communication does, in the transportation of collectivities.
Cooren Spacing Practices The main contribution of this article lies in specifying the constitutive role of com- munication in terms of spacing and timing.
The combination of an organizational communication approach with postmodern geography theories allows us to enhance our understanding of what we mean when we say that communication is constitutive of social reality. By bringing space into communication theory, novel dimensions of the constitutive property of communication are revealed. These dimensions are, for us, intrinsically associated to the role of communication in spacing organization. The analysis of the three spacing practices developed in the article—presentifying, ordering, and accounting—reveals that in constituting organization, communica- tion is key in materializing, that is, making actors, objects, and contexts present.
It also plays a crucial role in distributing throwing forward and backward, in and out, over and under and relating actors, actions, means, and goals in time and space. We will now address each dimensions by focusing on what communication does, what it is, and what implications this has for theory development and social practice. Communication is also material; it materializes organization: Spacing practices, particularly presentifying, reveal the material dimension of communication as the processes by which communication materially constitutes organization.
The im materiality of organization, as these authors suggest, needs to be accounted in nondualistic terms, which demands a more sophisticated treatment of the material-symbolic relation. The focus on how objects, people, and institutions are present and pre- sentified through communication is an interesting way to take up this challenge.
Materiality, as previously shown, is key in the spacing of Explora. Texts, bodies, infrastructures, media, and numbers, are crucial material agents through which Explora is embodied and can travel.
Yet, this same dynamic can be found in other forms of communication, as textual and narrative. A body can be said to have a different force than an e-mail or a letter. A spatial ontology may thus lead to a redefinition of communication, which would acknowledge the occupation of spaces by entities of variable ontologies such as texts, objects, bodies, infrastructures, individuals, and so forth. Communication is a mode of ordering, it creates order s: Cooren in aligning the multiplicity of trajectories.
It is in the acting out of the scripted trajectory that actors, actions, and responsibilities are distributed in space and time. It also opens up the power of associations Latour,which are mainly constituted through communication. Communication research, as with most disciplines in social science, has yet to address in a systematic way the role that space places in the constitution of power.
Recognizing space and time as central components of communication highlights the politics of geography how politics can hide in geography.
Coleman and Agnewp. This process, as we saw, is not neutral. It responds to specific criteria, policies, standards, and strategies.
Communication is a sensemaking practice, it gives a sense of coherence and continuity: The question of successive timely and simultaneous space-ly continuity is at the heart of what communication does in constituting organizing. This is mainly realized, in the case studied, through storytelling. As Masseyp.
Coherence in space and reproduction in time also imply practical challenges that are especially highlighted in a project dynamic, such as the one Explora follows. But we also saw that continuity does not solely imply that an organization can endure from project to project. This continuity also means the maintenance of an internal coherence: We must finally note that our framework also contributes to organization studies.
The three spacing practices we have developed in this reflection show that space and time are not merely dimensions or types of organizing processes. Spacing and timing are what organizing is about. It is through presentification, ordering, and accounting that the NSTW was accomplished.
This is what we have captured by the expression: Cooren academy of management annals Vol. Managerial and organizational communication in terms of the conduit metaphor.
Academy of Management Review, 9, — Non-representational theory and performing organizational space.
Nelson Mandela: Francois Pienaar says he 'never imagined he would be so emotional'
Le nouvel esprit du capitalisme 1st ed. The practice of every day life. University of California Press. The problem with empire. Foucault and geography pp. The organizational world as a plenum of agencies. Practical approaches to research into the dynamic of text and conversation pp. Action and agency in dialogue: Passion, incarnation and ventriloquism.
Speech timing and spacing: The phenomenon of organizational closure. Organization, 11 6— How to scale up from interactions to organization. The constitutive role of communication pp.
Nelson Mandela: Francois Pienaar says he 'never imagined he would be so emotional' - Telegraph
The coproduction of organizational presence: Human Relations, 61 10— Arguments for a plurified view of the social world. Introduction to the special issue: Communication, organizing and organization; an overview.
Organization Studies, 32 9— A humanitarian organization in action: Organizational discourse as a stable mobile.
Discourse and Communication, 1 2doi: Communication theory as a field. Communication Theory, 9 2— Pragmatism in the field of communication theory. Communication Theory, 17 2— Cooren Spacing Practices Czarniawska, B. Shadowing and other techniques for doing fieldwork in modern societies. Discourse, technology and organization. Organization, 10 4— Organizations as discursive constructions.
Communication Theory, 14 15— COMMposite, 174— Selected interviews and other writings, pp. The constitution of society: Outline of the theory of structuration.
Heidegger and the Thinking of Place: Explorations in the Topology of Being Published: Indeed, at times though not consistently, as we will seeHeidegger understands by "space" the scientific, mathematized, homogeneous, and abstract space, which he characterizes as that "homogeneous separation that is not distinct in any of its possible places.
Already in "Building Dwelling Thinking," Heidegger had elaborated on that distinction between space and place, writing that, "The space provided for in this mathematical manner may be called 'space,' the 'one' space as such.
We never find in it any places [Orte], that is, things of the kind the bridge is. It was in fact Heidegger himself, in the Thor seminar, who stressed the topological dimension of his thinking, using the expression "topology of be-ing" [Topologie des Seyns] to replace the earlier expressions "meaning of being" and "truth of being.
This is why, Malpas clarifies, "the essays collected here. The various essays included in this volume do not strictly speaking follow from Malpas' earlier work so much as accompany it. Malpas' book thus constitutes a kind of companion volume of essays to his earlier work. The book is divided into three sections: Topological Horizons, sections framed by an Introduction and by an Epilogue, "Beginning in Wonder" previously published in There are three chapters in section I: Section II includes four chapters: Chapter 4, "Ground, Unity, and Limit"investigates these notions in their topological import and in relation to the question of the transcendental in Heidegger's work.
Spacetime - Wikipedia
In chapter 5, "Nihilism, Place, and 'Position'"Malpas considers the notion of place in light of Heidegger's account of nihilism, and how topological thinking can help in overcoming subjectivism, revealing the connection between subjectivity and the problematics of place Chapter 6, "Place, Space, and World"examines the development of topological thinking in Heidegger's work, focusing on the notion of world and on the relation between space and time. The last chapter of section II, chapter 7, "Geography, Biology, and Politics"considers the political dimension of a thinking that returns to place, and the political ramification of notions such as rootedness or belonging.
Section III includes 4 chapters: For Malpas, "Nostalgia is essentially tied to place" Chapter 9, "Death and the End of Life," considers the mortality of existence as revealing the placed -- bounded -- character of human life, death constituting such an original limitation and placing. Chapters 1011and 12 consider relations of the Heideggerian text to Davidson, Benjamin, and the work of art.
Instead of summarizing each of the 13 chapters, which would be an impossible task in a short review, I will identify a few key issues that structure Malpas' reflections in this work, and I will attempt to raise some questions. Malpas often describes the presence of place in experience in terms of the bounded or limited situatedness of existence.
This is the import, for example, of chapter 4, which focuses on the theme of the limit, and it is also the focus of chapter 9 on death, what Malpas characterizes as "the limit-character of death" In ordinary space, a position is specified by three numbers, known as dimensions. In the Cartesian coordinate systemthese are called x, y, and z. A position in spacetime is called an event, and requires four numbers to be specified: Spacetime is thus four dimensional.
An event is something that happens instantaneously at a single point in spacetime, represented by a set of coordinates x, y, z and t. The word "event" used in relativity should not be confused with the use of the word "event" in normal conversation, where it might refer to an "event" as something such as a concert, sporting event, or a battle. These are not mathematical "events" in the way the word is used in relativity, because they have finite durations and extents. Unlike the analogies used to explain events, such as firecrackers or lightning bolts, mathematical events have zero duration and represent a single point in spacetime.
The path of a particle through spacetime can be considered to be a succession of events. The series of events can be linked together to form a line which represents a particle's progress through spacetime.
That line is called the particle's world line. It was only with the advent of sensitive scientific measurements in the mids, such as the Fizeau experiment and the Michelson—Morley experimentthat puzzling discrepancies began to be noted between observation versus predictions based on the implicit assumption of Euclidean space.
Each location in spacetime is marked by four numbers defined by a frame of reference: