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Free shipping BOTH ways on adidas superstar, from our vast selection of styles. Judicial records from November,report that there was a house by the bridge of the Fuseri to which a certain Orsa Cantarella brought her pre-pubescent daughter to be deflowered by Antonio Filacanevo. For this he was flogged, imprisoned for six months, and required to pay a fine of lire to the victim. The bell in question is hanging from the suede, and it makes the most twinkling, Tinker Bell sort of sound.

For someone whose work is basically solitary, she has a particular charisma—part calm and part energy—which tends to draw people in, and entice them to linger.

Several shoes she displays are intentionally left unfinished, in order to demonstrate to inquisitive visitors some aspect of the work. The classic inner sole is cork, the outer sole leather. She has never put a rubber sole on a shoe, though she has occasionally conceded the use of velcro for a diabetic client to make the pressure on the straps more adjustable.

The floors and walls of the modest showroom are now black; this can be a hostile color, but here it seems the perfect shade to emphasize the rich colors of the shoes. The light from the street, and from hidden sources around the edge of the ceiling, warm the dark walls, and a few reading lamps add a soothing, sitting-room vibe.

The workshop, visible through a central doorway, is even smaller, glaring with light and crammed with spools of thread, rolls of leather of myriad types and colors, boxes and tools and leftover bits of every other thing.

The Soul of the Italian Shoe

Strange, that work of such precision can spring from this primordial chaos. Daniela must have noticed my perplexity. She will go on to study art and painting, have a few exhibitions, and even give some thought to art as a career. Artists are obviously keen observers, deeply attuned to the visual world. Daniela Ghezzo, born in Venice insaw shoes. Like any little girl, she looked first at her own, the more extravagant, the better. But unlike most children, she also saw feet, and what she saw changed her ideas about shoes.

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An average person might have responded to this experience by wanting to design orthopedic footwear; the observing artist wanted to make a shoe that was both comfortable and gorgeous. For unlike many shoe designers, Daniela has never believed that beauty and comfort have to be at war.

For me, harmony is everything. To make an object of style, classic, that has characteristics of elegance and charm, is much harder than to make pagliacciate. And what would be an unintelligent shoe? It has to be a serious thing. Rolando liked to play games with shoes. Her reply was a scornful look. Where you really express yourself is inside the shoe. It requires a subtlety of sight and touch and instinct that produces what could reasonably be called sculpture.

The foot is made of 26 bones, 33 joints 20 of which are actively articulatedand more than muscles, tendons and ligaments. As you walk, it works as a lever and a shock absorber, joints locking and unlocking to move you forward. Forcing this masterpiece of engineering to accommodate a fancy design seems—how may I put this?

To reach the shop, walk up the Frezzeria, an ancient street that is only about feet long and a mere seven feet wide.

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Everyone has seen images of these canals—the Byzantine flourishes and arched window-frames, the gleaming water washing doorsteps and even windows. And whatever happens to the foot will make itself felt over time—to the ankle, the knee, the hip, and the back. An American podiatrist once told New York magazine that, by age 40, about 80 percent of the American population has some musculoskeletal foot or ankle problem.

By age 50 to 55, that number can rise to 90 or 95 percent. Daniela readily acknowledges that people from hot climates who wear sandals have beautiful feet. In most locales, artisans work in relative privacy; in Venice, often he or she is working virtually in the street.

Almost everyone who passes the shop window glances at the shoes, and many also stop at least for a moment. The most curious will come in, if only to ask a few questions and inhale the perfume of leather. Daniela picked up a pair of slingback shoes with a modest wedge heel, which she had just finished.

The shoe was dark blue, but the toe and the heel strap were a sumptuous red—and snakeskin, no less—anaconda, to be exact. These are people who have had to wear ugly shoes all their life. For a thousand years the island republic built a great part of its wealth by trading or producing goods that were either rare or of universally recognized quality, objects of international desire; some were state secrets, guarded and priced accordingly.

Murano glass could be blown to gossamer. Diamond-cutting began in Venice. In a city the size of a postage stamp there were 71 workshops devoted exclusively to stamping gold leaf onto leather to cover books, chairs, walls. On the facades of palaces, in the glass tesserae of mosaics, on picture frames, on gondolas, embroidered on silk. Venetians are drawn to the fanciful or frivolous, however, and their cordwainers were especially talented at making shoes with feminine flair.

Depending on the size, nails are often hammered with the pincers. The peen of this hammer is most often used as a sort of spatula, for smoothing as needed. Calegheri used new leather for shoes and boots; zavateri made slippers of old, used leather; patitari made pattens, or wooden soles which were attached by strips of leather to the shoes as protection from the filthy streets; socholari made zoccoli, or wooden shoes; and solari cut out leather soles which the poorer people simply tied to their stockinged feet.

At its peak of power, tiny little Venice was the most populous city in Europe, and the census counted capomaestri, or master shoemakers, garzoni, or apprentices, workers, and shops.

It is still perfectly functional and is called into service as needed. The romance of the magical floating city dwells in its rippling canals and iridescent lagoon, but the reality of the former Queen of the Seas is stone streets and walking.

Everyday life is a sort of industrial stress test, like they do for airplane wings and fire doors, but in this case for shoes. Veronique Magrini, petite, chic, French, a licensed tour guide and four-year client, knows this far too well because she walks several miles a day leading tourists around.