I’m curious, how many people can play La Rondes Des Lutins? It seems like Bazzini used up all of his allotted notes on this piece alone!. Free violin sheet music by Antonio Bazzini in PDF format. Work, Violin, Piano. La Ronde des Lutins (Scherzo Fantastique), Op. 25, Violin · Score. La ronde des lutins, scherzo fantastique for violin and piano. Antonio Bazzini. Show performers. PERFORMER: Antonio Bazzini. Add “Antonio Bazzini – La ronde.

Author: Ararn Samugal
Country: Chad
Language: English (Spanish)
Genre: Career
Published (Last): 28 December 2013
Pages: 12
PDF File Size: 17.60 Mb
ePub File Size: 13.53 Mb
ISBN: 883-2-85639-722-7
Downloads: 6421
Price: Free* [*Free Regsitration Required]
Uploader: Moogunris

My First Violin Album. Jazz Latin New Age. The Early Years – Yehudi Menuhin.

La ronde des lutins, scherzo fantastique for violin and piano – Antonio Bazzini Song – BBC Music

Virtuoso Works for Violin and Piano. The Essential Itzhak Perlman.

La Scuola Boema, Libro 1: Bazzini was one of the most highly regarded artists of his time and influenced the great opera composer Giacomo Puccini. Streams Videos All Posts.

This page was last edited on 7 Octoberat Great Virtuosi of the Golden Age, Vol. He also contributed to a portion of Messa per Rossinispecifically the first section of II. Returning once more to Brescia, Bazzini devoted himself to composition, gradually abandoning the virtuoso luttins fantasias and character-pieceswhich had formed a large part of his earlier work. The Complete Brunswick Recordings. During his lifetime, Italian virtuoso violinist Antonio Bazzini was as widely admired a composer as he was a performer; late in life especially, his serious-minded chamber music and orchestral music earned him pan-European recognition.


Please do not remove this message until conditions to do so are met.

The Legendary Jascha Heifetz. Kreisler, Paganini, Schubert and others.

Bazzini: La ronde des Lutins (Scherzo Fantastique), Op. 25

La Scuola spagnola, Vol. As a young boy, he was a pupil of Faustino Camisani. SequentiaDies Irae. He ended his concert career with a tour of the Netherlands in The following year he met Paganini and became completely influenced by that master’s art and style. Paganini encouraged Bazzini to begin his concert career that year and he quickly became one of the most highly regarded artists of his time. Introspection Late Night Partying. Genre Chamber Music Classical.

At 17 he was appointed organist of a church in his native town. My First Classical Albums [Naxos]. Rainy Day Relaxation Road Trip. Alfredo Campoli Plays Mendelssohn.

In he played in Naples and Palermo. The Virtuoso Jascha Heifetz. However his success as a composer bazzkni overshadowed by his reputation as one of the finest concert violinists of the nineteenth century. Retrieved from ” https: Drinking Hanging Out In Love. La ronde des lutins usually translated as “Dance of the Goblins” or “Round of the Goblins” is described by Bazzini as a scherzo fantastique for violin and piano. Of particular note is his String Quartet No.

As a composer his most enduring work is his chamber music which has earned him a central place in the Italian instrumental renaissance of the 19th century.


Please enable JavaScript in your browser to use the site fully.

Antonio Bazzini – Wikipedia

Romantic Evening Sex All Themes. His most enduring work is his chamber music, which is written in the classic forms of the German school and has earned him a central place in the Italian instrumental renaissance of the 19th century. In other projects Wikimedia Commons. Invitation to kutins Dance. Run time is 1: The neutrality of this section is disputed. From Wikipedia, the free encyclopedia. Wikimedia Commons has bqzzini related to Antonio Bazzini.

October Learn how and when to remove this template message. In — he toured Spain and from to lived in Paris. Bazzini was born at Brescia. AllMusic relies heavily on JavaScript. Relevant discussion may be found on the talk page. The Best of Maxim Vengerov. Sony Classical Essential Classics.

He ultimately held a position of prominence at the Milan Conservatory, where he taught composition to the likes of Pietro Mascagni and Giacomo Puccini. Ricochet bowings, frantic double-stop tremolos, wild leaping from string ronnde string while reiterating the same fes, and, of course, the false harmonics requisite to any mid-nineteenth-century violin showpiece fill the pages — all following a clean, compact, and charmingly mischievous rondo plan.

And fantastic it is: Problems playing this file?