46 best 20's - 30's Men's Hats images on Pinterest | Hats for men, Man fashion and s fashion
Explore Tracy Totten-Welsh's board "ss hats" on Pinterest. | See more ideas about Cloche hat, s flapper and Flapper hat. Read about jewelry styles and vintage fashion silhouettes of the s, 30s, 40s, and Because she wore her hair short, a new style of hat – the French cloche. Kit's meet outfit reflects the fashion ideals of her time period. The combination of It resembles the jade Art Deco pieces that were common in the s and s. Ruby Pom-Pom Top: $32; Garden Blooms Skirt: $42; Red Ribbon Hat: $
Jewelry makers obliged by inventing new types of pieces. The dress clip became the most important jeweled accessory in the s. Clips were often worn in pairs at the neckline or singly on jacket lapels, hats, purses and belts.
Then the double-clip brooch was invented in France, for fine jewelry, and brought to America by Gaston Candas of Paris. He patented his invention in the U. This product was so successful that other companies started inventing their own devices for mounting separate clips on a single frame that could be worn as a brooch.
The first double-clip brooches were designed with two pieces that were mirror images; in the s, these pieces became asymmetrical and more three-dimensional. Also in the s, the baskets of fruit and flowers known as fruit salads or tutti frutti marketed by Cartier and other fine jewelers produced a wave of imitations among costume jewelry makers.
Companies such as Coro, Trifari and Boucher, among others, produced lines of costume jewelry made with molded glass that imitated the Indian-carved rubies, sapphires and emeralds. In addition to fruit salads, the Art Deco style evolved to include Far East-inspired motifs with materials that imitated coral, mother-of-pearl, and carved jade.
More whimsical, imaginative jewelry was produced in this decade. One reason for this trend was the influence of Surrealism on designers such as Elsa Schiaparelli.
Jewelry Styles by Decade
The other reason was the increased use of inexpensive, colorful plastics. During this decade, the Art Deco style continued to evolve and later became known as Art Moderne or Streamline Modern. This change was greatly influenced by the Bauhaus School in Germany — In architecture, sharp angles were replaced with simple, aerodynamic curves; exotic woods and stone were replaced with concrete and glass.
Other characteristics included a horizontal orientation to buildings as well as the extensive use of chrome hardware. This aesthetic was applied to costume jewelry, aided by innovative manufacturing techniques developed in Pforzheim, Germany, and later adopted by U.
Among the makers of jewelry in this Machine Age style was Jakob Bengel. Not surprisingly, the war years had significant effects on fashion and jewelry.
With the influence of European fashion cut off by the war, American designers as well as Hollywood and its stars defined the style of the s. Marlene Dietrich, Joan Crawford and Greta Garbo were the idols of the time, and American women emulated their style in clothing and accessories.
For the first time, fashion reflected the American sporty, relaxed lifestyle instead of the elegance of French haute couture.
The war affected fashion in another significant way: These measures dictated the amount of fabric that could be used in a garment and prohibited nonessential details such as ornamentation and certain types of clothing such as woolen wraps. Daytime attire changed to masculine, well-tailored suits inspired by military uniforms, with straight, knee-length skirts and long, tight-fitting jackets with wide padded shoulders.
Pants and culottes became acceptable wear for women everywhere, not just in sports activities, because so many rode bicycles to work. Dresses with fitted bodices and square, V, or round necklines were somewhat more feminine. For evening, the triangular silhouette of long dresses in the early s, created by padded shoulders, narrow waist and flared skirt, eventually became the slim sheath, as fabric shortages caused skirts to become narrow.
Hair was longer and worn up during the day for safety reasons. Upswept styles included the French twist and the victory roll created by curling and then rolling voluminous curls around the face.
When worn down, the hair was generally parted on the side without bangs and curled into a page-boy at the base. Hats were an essential accessory that allowed women to make a fashion statement during these years of austerity.
Various styles prevailed, including berets and broad-rimmed hats in the early years, then smaller styles as the war progressed.
InParis regained the spotlight of world fashion when Christian Dior presented his New Look collection. It revived the image of the feminine, romantic woman. The slim, short skirts and padded shoulders that epitomized war-time austerity were replaced by a new silhouette: Women began to cut their hair shorter, arranging it with waves and curls close to the head as well as short bangs. Some hats that were fashionable during the war continued to be popular.
New styles, including small hats worn on the side of the head and covered in a net veil, were introduced. Costume Jewelry Styles While clothing became more masculine, jewelry became more feminine.
In addition to stylized flowers, birds and animals, popular motifs included buckles, bows, ribbons and fabric-like folds, drapes or pleats. Themes from Native American and Aztec folklore as well as the Old West also found their way into jewelry designs.
Some designers took inspiration from earlier styles, resulting in a Victorian Revival in the late s to early s.
At the same time, Machine Age icons such as tank track and other repeating patterns were reinterpreted in yellow- and rose-gold finishes. Bracelets were wide and three-dimensional in the early s. Charms of personal significance became a way of expressing sentiment. Double-clip brooches continued to be popular, but the Art Deco version of geometric, symmetrical sets evolved into more three-dimensional, asymmetrical images.
Clips continued to be worn at the neckline. Brooches were large and worn on shoulders of day and evening attire.
Kit Kittredge (doll)
Necklaces were typically worn high up on the neck. Linked bracelets and bangles were worn over gloves or on unadorned wrists. Large finger rings with square-edged stones and layered, stepped edges were popular. The war years brought major changes to the jewelry industry itself.
s Decade Vintage Hats for Women for sale | eBay
The precision equipment and skilled metal workers of many American jewelry manufacturing facilities were re-tooled for war-related production. The makers who continued with jewelry manufacture were faced with shortages of materials, and the pieces produced in the war years reflected this situation. Sterling silver replaced base metals, which were restricted to war use. Pink- green- yellow- and rose-gold plating — often with multiple colors in the same piece — replaced rhodium.
Seed pearls from the Gulf of California and imitation turquoise, coral and jade made from plastics were used to overcome the shortages in faux pearls, previously imported from Japan, and high-quality rhinestones from Austria and Czechoslovakia.
Other popular materials included wood, leather, Bakelite, Lucite, natural shells, plaster and ceramic. InTrifari invented the Jelly Belly to make use of an abundance of Lucite.
In many pieces in this decade, metal was the predominant material: Despite these challenges, the costume jewelry industry in the U. The incredible design output is illustrated by the vast number of design patents issued. Sales reached an all-time high — with little clothing available, accessories had become all-important. ByProvidence, Rhode Island, was the costume jewelry capital of the U. The quality of costume pieces had climbed to new levels because many jewelers and craftsmen had switched to costume jewelry during the Depression and because many skilled workers fled the political situation in Europe for the U.
Costume pieces were produced in all price ranges. Jordan was a leader in the medium-priced jewelry: It appears that in situations when hands were likely to be full of luggage or merchandise or other cargo, a gentleman did not need to find additional space in his hands to hold his hat. However, in more respectable spaces like restaurants as opposed to chop houses the hats would be removed before taking one's seat.
Proper sorts of establishments provided convenient pegs upon which hats and other impedimenta could be hung. Orators would also remove their hats while speaking--even when outdoors, so that the audience might observe their facial expressions. This proved fatal for President W. In theaters also, the hat would be removed once the gentleman took his seat, if only out of consideration for those sitting behind.
Ideally, it would be checked with the topcoat in the cloakroom an essential part of any respectable establishment of yore - but largely extinct in 21st Century California. Lacking a cloak room, the hat would be held in the lap. A gentleman might also not trust a cloak room to deliver HIS black top hat to him out of the legions of identical black top hats. For such non-trusting gents, the collapsible opera hat was developed. However, in private spaces, the rules were different.Hats Off To The Music Of The 1930s Era @Pax41
When entering a home a hat was generally removed immediately upon entering and given to a servant if one were present. In a brief visit, such as a "call of ceremony", the hat would be removed, but retained in the hand.
50 best ss hats images on Pinterest | Cloche hat, s flapper and Flapper hat
Hats would also be removed when entering private clubs. Also, with a special relevance to current "dress-up" activities, hats would never be worn in a ballroom at a respectable private or subscription ball such as the Social Daunce Irregulars Victorian Ballthough hats could be worn if dancing outdoors, or while spinning a floozy around the floor in a dockside dive.
Note that the same rules apply to military and non-military gentlemen.