Torn and Frayed: The Story of the Replacements’ Classic Pleased to Meet Me | The Big Get-Even
This is the story of Pleased to Meet Me. ***. By the time the Replacements arrived in Memphis in January of , they were just barely a band. Pleased to Meet Me is the fifth studio album by the American rock band The Replacements, released in by Sire Records. The album was acclaimed by. Find album reviews, stream songs, credits and award information for Pleased to Meet Me - The Replacements on AllMusic - - All things considered, Tim.
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The Replacements: 10 of the best
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Any payment transactions will be encrypted. But really, it was great. In fact it was fun. They were having a ball. And when those guys were having a ball, everybody was having a ball. Through the years Dickinson has often said he learned more from the Replacements—and especially from Tommy—than the band learned from him. If I was puzzled by a situation, I would put Tommy in a position where he had to make a choice, and then I would just go with whatever he chose.
Pleased to Meet Me
His instincts were that sharp. Then, one day, they got their artist advance from Warner Bros. Across the street from Ardent was this place called Pyramid Guitars, owned by my friend Rick Rayburn, who was a collector.
He sold some really sweet pieces—he had some killer vintage stuff, and Paul went over there and got a clear plexiglas Dan Armstrong with the replaceable pickups, so he came back over with one of those. So the guitar was mostly Les Paul on the tracks, but he picked up the See-Through a few times for coloration.
But Tommy went over too, and he got a Thunderbird bass that he loved, so much that he decided he wanted to redo the bass on all the songs! Redo all the bass on all the songs now that he has a Thunderbird?
- Torn and Frayed: The Story of the Replacements’ 1987 Classic Pleased to Meet Me
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See, they were all … ah … [stage whispers] drunk! Pretty much all the time. But mostly it was just jugs and jugs of the red Gallo wine. The console was facing the speakers and the glass was to your left. But Tommy was standing in the room, with an amp, and he was literally eight or ten feet behind us.
So Jim and I were sitting there, and Tommy was playing the song behind us with this Thunderbird bass.
And man is that a boomy bass. Man can those things boom! And then all of a sudden we heard this hell of a noise! Just this huge crash, and man, I just lunged for the monitor knobs to turn it down.
And I look and Tommy is on the ground, his Thunderbird bass—brand new—is also on the ground and it has snapped at the headstock. Maybe he was dancing. I did that a couple times. Dickinson says the directive came not from him, but rather from the powers that be at Warner Bros.
That order came from the record company, who thought it would be a good idea since we were in Memphis. On the first day, I got a telegram that I opened in front of the band.the replacements-pleased to meet me promo interview
They really liked him, and in fact that applause you hear, at the end of the song, is the guys applauding him as he came into the control room. After that I brought in Teenage Steve Douglas to do the baritone sax stuff.
Douglas thought the guys were funny. The band knew who he was, of course, from the Phil Spector records and everything.
Pleased to Meet Me - Wikipedia
But it was the strings they really hated. And everyday something would happen that was absolutely miraculous. Paul Westerberg had one of those big jugs of red Gallo wine. And he had left about three quarters of an inch in the bottle, and the trash can was about 15 or 20 feet from where he was standing. He was throwing the thing away! He threw it in the air aiming for the garbage can.