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Meet the Robinsons () on IMDb: Movies, TV, Celebs, and more. The old line about swimmer-turned-movie-star Esther Williams, "Dry, she ain't much, but wet, she's a star," applies perfectly to Meet The. posavski-obzor.info: Meet the Robinsons: Daniel Hansen, Jordan Fry, Matthew Josten, Stephen J. Anderson: Movies & TV. If you are a seller for this product, would you like to suggest updates through seller support? Learn more about "Meet the.

What is the texture of a certain character or a certain building material? I never would think of those things. That really opened up a whole new world for me. So I went from impressionistic thinking to realistic thinking. Because our movie got off and running so quickly, it was a matter of me getting thrown into it and watching what everyone was doing. They would ask me questions like: My education was leaning on people around me and relying on them.

The rig was based on Chicken Little, but departed somewhat with an automated rig setup that allowed them to churn out a number of rigs that the rigging department wouldn't have to build from scratch. These base set templates allowed certain blend shapes to be spread across a similar topology on different types of rig structures.

After Shock is a dynamics tool built off of Maya's tool that allowed them to calculate speed, velocity and direction of, say, Lewis' head turning.

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And the animator could dial in the amount of drag and resistance and to spit that out basically for free. We could then bake it out and then simplify the baking out so that the animator could use every bit of it or hand-tweak [what they don't like] themselves, or run a simulation on that part if they like. Just ways to speed things up and give them more time for the performance, because that's where Steve and I really wanted to focus. That's why he hired assistants to deal with wrinkles and interpenetrations of characters.

Meet the Robinsons

With Lewis, you get much more grounded, traditional Disney animation, classic Peter Pan, strong anticipation, nice round arcs, whereas the future with Wilbur is much snappier, to look at characters like Daffy Duck, where you get into a one-frame pose, very sharp, very abrasive in their nature.

We had a nice time playing with those two worlds in animation. With Bowler Hat Guy, he fits into both nicely, and we really had a lot of deformers within the rig to bend him around until he gets nice S shapes, say, in his arm or his spine to really distort him, not that you're reading that distortion, but in fast movements, it's a very snake-like quality.

That is the hardest stuff to do in animation -- it isn't just moving the character from point A to point B. The character has to emote and you have to get that to an audience.

'Meet The Robinsons': Keep Moving Forward at Disney | Animation World Network

And when you haven't had the chance to learn the rig and understand that character, that's a tall order to get. But Anderson did not dismay when reviewing the set of notes. It simplified the process and made it more emotional. Without knowing it, they helped us return to an idea we had very early on for this particular moment [when he finds her], so it was interesting to come full-circle and take it a different way.

What is the relationship between Doris, the bowler hat, and Bowler Hat Guy? He's a villain, but he's really not that evil or bungling, which one are we going to choose? So the relationship between them became more of a mother and son where she's really the evil one. We were able to make the notes our own.

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We pushed the emotion and got a real sense of family with the Robinsons. He invents practical gadgets, like a peanut-butter-and-jelly gun that makes sandwich preparation a cinch. He has scared off, by his count, sets of potential parents. In hopes of finally seeing the mother who left him at the orphanage's doorstep, Lewis works tirelessly on a memory machine that projects specific recollections onto a TV monitor.

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After a mix up at the school science fair, he winds up having to zoom to the future with a mysterious young boy. Trying to explain the movie's time-traveling plot is as confusing as Terminatorbut the point of the future is to show young Lewis that he fits nicely into a zany family: And when the film's villain -- a mustachioed man with a robotic bowler hat -- unleashes a T-Rex on the family, the clan joins forces to defend the young inventor.

At last, he has a home -- at least in the future.

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Continue reading Show less Is it any good? The multi-generational relationships, especially in the future, are endearing.

The Robinson clan seems loony at first, but as the future continues, they quickly grow on you as exactly the kind of brood Lewis would naturally be drawn to and with good reason, but you have to see it to understand.

Goob became so bitter as a result that he was never adopted and remained in the orphanage long after it closed. Doris is "DOR", one of Lewis' failed and abandoned inventions.

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They both blamed Lewis for their misfortunes and decided to ruin his career by stealing the memory scanner and claiming credit for it. Leaving Lewis behind, they take off with the scanner, drastically altering the future to a world where Doris' clones have enslaved humanity. Lewis repairs the second time machine, confronts Doris and destroys her by promising to never invent her, restoring the future to its Utopian self. After persuasion from Lewis, Wilbur tries to ask the adult Goob to join the family, but he has disappeared, apparently ashamed at what he has done.

Back in Wilbur's time, Lewis finally meets Cornelius face to face. Cornelius explains how the memory scanner started their successful career, and persuades Lewis to return to the science fair. Wilbur takes Lewis back, but makes one stop first: