The Exorcist (film) - Wikipedia
The Exorcist is a supernatural horror film directed by William of the modern loss of faith, and of the attendant harm done to relationships. .. of faith at the end of the story; but consider how Karras's 'exorcism' of Regan. According to Friedkin in his autobiography, The Friedkin Connection, “At one point, The film's prologue, set in Iraq, was actually shot there in /3. . in and a special-effects heavy exorcism was tacked onto the film's end. William Friedkin's film adaptation, which Blatty wrote and produced, continues . Thus for Wood, in a horror film, “the 'happy ending' (when it exists) typically . suggestively questions the nature of her mother's relationship with Dennings;.
The sow is mine! Out of options, they advise Chris to search for a psychiatrist, but they also reluctantly discuss another possibility: While they seem to hold professional contempt for it, they do admit that it has been known to solve problems such as what Regan is going through.
Chris is skeptical, having no real religious affiliation of her own.
The situation worsens when Chris is out one evening; she returns to find the house deserted except for Regan, who is alone in her bedroom and appears to be in deep sleep. The bedroom is freezing cold, the window standing wide open, and she is uncovered.
Sharon returns and Chris is furious with her for leaving Regan unattended, but Sharon explains that she left Regan in the care of Burke, who was visiting the house, while she went to the pharmacy to get Regan's medication. Burke's absence is unexplained until the doorbell rings and an associate of Chris's breaks the news that Burke has just died on the steps outside Chris's house. Shortly after this, Chris is visited by a kindly detective named Kinderman Lee J.
Cobbwho seems suspicious of Burke's death. He questions Chris about the events of that evening, and Chris is nervous, hesitant to tell him about Regan's problem. While he is visiting, he notices a few small animal figures that Regan has crafted; they are similar in style to the desecration of the statue in the church.
Kinderman leaves and immediately a violent disturbance comes from Regan's bedroom. Chris hears a deep male voice bellowing at Regan to "do it", and Regan screaming in protest. In the bedroom, Chris finds Regan plunging a crucifix violently into her vagina. When Chris tries to stop her, Regan assaults her with impossible strength, and furniture around the room starts to move on its own.
As Chris watches in horror, her daughter's head turns completely around backwards, and she speaks to Chris in Burke's voice, saying to her "Do you know what she did? Desperate, Chris arranges to meet with Father Karras, and when she mentions the notion of exorcism, Karras is almost amused.
He tells her that exorcism is nearly unheard of, and that he doesn't know anybody who has ever performed one.
Analysis of ‘The Exorcist’
Chris is distraught and convinces him to meet with Regan anyway. Karras is shocked by the girl's appearance; she is tied to the headboard of her bed, her face misshapen and covered in lesions, her voice deep and gravelly. Regan announces that she's the devil, and toys with Karras in a number of ways, seeming to make a drawer next to the bed open all by itself, then speaking to Karras in a number of languages.
She also conjures up the voice of a subway vagrant that Karras has encountered alone earlier. Karras remains unconvinced, and when Regan claims "Your mother's in here with us", Karras asks her what his mother's maiden name is.
Unable to answer, Regan vomits spectacularly all over him. Chris cleans Karras's sweater and discusses Regan with him. Karras is still not convinced that Regan is possessed, especially because Regan says she's "the devil", and he recommends psychiatric care for her.
Chris pleads with him to help her obtain an exorcism, swearing that the "thing" in the bed upstairs is not her daughter. While Karras thinks it over, he is approached by Kinderman, who questions him about the fact that the desecration of the church could be connected to Burke's death; what he was unable to tell Chris was that Burke's body was found with his head turned completely around backwards, and the police department considers it a homicide.
Kinderman knows that Karras suspects something unusual about the McNeil house, but his confidentiality as a priest prevents him from discussing it with Kinderman. Karras visits Regan again and records their conversation, during which he sprinkles Regan with water. He tells her it is holy water and she begins to writhe in pain, seemingly going into a trance and speaking in a strange language. Later he tells Chris that it will be difficult to make a case with the Bishop for possession; the water he sprinkled on Regan was simply tap water, and was not blessed.
The Bishop, and Karras himself, would consider Regan to be mentally ill and not possessed. Chris confides in Karras and tells him that Regan was the one who killed Burke Dennings. Later, Karras uses his tape recordings of Regan's seemingly incomprehensible babble to discover that she is really speaking backwards, in English.
The Exorcist () - Plot Summary - IMDb
A phone call from Sharon interrupts him; she summons him to the house to see Regan, not wanting Chris to see that's happening: Karras reluctantly agrees to try and get an exorcism for Regan, although he seems to have more in common with the doctors who recommended it as a form of shock therapy.
The church calls in Father Merrin to perform the exorcism, with Karras assisting. Merrin has performed exorcisms in the past, including a difficult one that "nearly killed him", according to the Bishop. When Merrin arrives at the McNeil house, Regan bellows his name from upstairs, as if she knows him, and she makes strange animal sounds.
He warns Karras about conversing with the demon, and reminds him that the demon will mix lies with the truth to confuse and attack them. When they enter Regan's bedroom, she immediately begins with a string of obscenities.
Merrin and Karras recite the ritual of exorcism and Regan manifests strange phenomena such as levitation, telekinesis, an abnormally long tongue, and strange vomiting. She constantly curses the priests and emits evil laughter and verbal abuse.
Regan begins to talk to Karras in the voice of his mother, and he starts to break down. He still did not dare believe. Not his mind but his heart had tugged him to this moment; pity and the hope for a cure through suggestion.
When Merrin arrives for the exorcism, Karras tries to tell him about her psychiatric history, but Merrin considers this a waste of time. When Karras speaks of three personalities in Regan, Merrin—the personification of faith—insists there is only one. Disproving the six-day Creation, as well as the story of Adam and Eve, is devastating to the Christian faith. If man evolved from the ape, what basis is there for believing in The Fall?
How did our animal instincts for self-preservation and survival, including selfishness, the procreative sex drive, and aggression, suddenly become evil once we evolved to the species of homo sapiens? For further reading, see Spong, In light of modern scientific knowledge, we must understand that continuing to preach Christian dogma and Bible stories as literal, historic fact can no longer be merely viewed as a perpetuation of ignorance; now it is just cognitive dissonance, if not tantamount to outright lying.
Threatened by modern knowledge, Christians—especially fundamentalists—are compelled to project their mendacity onto evolutionists, as Merrin has projected the idea of lying onto Pazuzu. When Merrin says the demon mixes lies with the truth, this seems an almost grudging concession that Pazuzu may, to an extent at least, be right. Even without evolutionary theory, Christian theodicies are inadequate. They try to reconcile a perfectly good, omnipotent, omniscient God with a world in which evil exists by talking about Adam and Eve exercising free will by disobeying God; even though they, originally in a state of grace and having its attendant moral wisdom, surely would have had the sense to know that by eating the forbidden fruit, they were ruining themselves.
One would be too morally strong to give in to the temptation of acquiring god-like knowledge. And love, particularly the love of our mothers and fathers, is crucial to our mental health; for those primary caregivers of our childhood provide a psychological blueprint for all of our later relationships, which leads me to my next point.
In object relations theoryour loving, good objects—internalized imagos of our parents, which reside in our minds like ghosts in a haunted house—help us to have integrated, healthy personalities, allowing us to have happy, loving relationships.
This bad internal object, split off from the good ones, is what the demon in Regan could be said to symbolize. Interestingly, Fairbairn compared bad objects to demonic possession pages Why does he not simply reject them…? They force themselves upon him; and he cannot resist them because they have power over him.
He is accordingly compelled to internalize them in an effort to control them. But, in attempting to control them in this way, he is internalizing objects which have wielded power over him in the external world; and these objects retain their prestige for power over him in the inner world.
This is not all, however. The child not only internalizes his bad objects because they force themselves upon him and he seeks to control them, but also, and above all, because he needs them. We are, after all, reminded of her missing father even late into the story p. Remember also what Pazuzu says: Freud associated libido with instinctual drives towards pleasure, but Fairbairn believed libido was directed at seeking objects e. She violently rejects the loving help of father figures, and instead behaves obscenely.
Such a process does, of course, occur commonly enough; but, since libidinal need is object-need, simple tension-relieving implies some failure of object-relationships.Take Me! - The Exorcist (5/5) Movie CLIP (1973) HD
Let Jesus fuck you! When Merrin dies at the end, faith dies. Karras desperately tries to revive him, but to no avail. Pazuzu seems awed at first by his final victory over Merrin, then he laughs in Schadenfreude.
The Exorcist ending explained - 7 questions we need answered | GamesRadar+
Enraged, Karras grabs Regan and beats the demon out of her—evil against evil, he punches her like a boxer. With the demon inside Karras, she is safe…except for the fact that Damien the demon is now eyeing her with a view to assault her…perhaps sexually.
Instead of salvation by faith, we have salvation by suicide, the ultimate act of faithlessness. No prayers to God. He just beat the girl. No miracles came from Him; the supernatural occurrences came only from Pazuzu.
When the family moves out, Chris tells Father Dyer that Regan remembers nothing of the demon. When she quickly gives Father Dyer a hug and kiss, we wonder, for a second, will she attack him? When it emerges from repression we may experience it as chaotic rage or hatred, sometimes with persecutory guilt.
Similarly, Pazuzu wants to kill the other two Fathers, Merrin and Karras.