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Cars (film) - Wikipedia

the track meet trailer 2010 cars

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But with Cars, it departs completely from any reference. Yes they're cars, but no car can do what our characters do. It took a lot of trial and error to get them to look right.

the track meet trailer 2010 cars

Lasseter also explained that the film started with pencil and paper designs, saying: Starting with pencil-and-paper designs from production designer Bob Pauley, and continuing through the modeling, articulation, and shading of the characters, and finally into animation, the production team worked hard to have the car characters remain true to their origins. He insisted on truth to materials. This was a huge thing for him.

He told us that steel needs to feel like steel. Glass should feel like glass. These cars need to feel heavy.

They weigh three or four thousand pounds. When they move around, they need to have that feel.

They shouldn't appear light or overly bouncy to the point where the audience might see them as rubber toys. John kept reminding us that these characters are made of metal and they weigh several thousand pounds. He showed us examples of very loose animation to illustrate what not to do. We started out by learning as much as we could.

At the local body shop, we watched them paint a car, and we saw the way they mixed the paint and applied the various coats. We tried to dissect what goes into the real paint and recreated it in the computer. We figured out that we needed a base paint, which is where the color comes from, and the clearcoat, which provides the reflection. We were then able to add in things like metallic flake to give it a glittery sparkle, a pearlescent quality the might change color depending on the angle, and even a layer of pin-striping for characters like Ramone.

We were able to use this approach to create accurate shadows, like when there are multiple light sources and you want to get a feathering of shadows at the edges. Or occlusion, which is the absence of ambient light between two surfaces, like a crease in a shirt. A fourth use is irradiance. An example of this would be if you had a piece of red paper and held it up to a white wall, the light would be colored by the paper and cast a red glow on the wall.

In the past, characters have never known about their environment in any way. A simulation pass was required if you wanted to make something like that happen. On Cars, this system is built into the models themselves, and as you move the car around, the vehicle sticks to the ground.

It was one of those things that we do at Pixar where we knew going in that it had to be done, but we had no idea how to do it. We spent a lot time working on the clouds and their different formations.

They tend to be on several layers and they move relative to each other. The clouds do in fact have some character and personality.

The notion was that just as people see themselves in the clouds, cars see various car-shaped clouds.

The fact that so much attention is put on the skies speaks to the visual level of the film. Is there a story point? There is no pixel on the screen that does not have an extraordinary level of scrutiny and care applied to it.

There is nothing that is just throw-away. To build the cars, the animators used computer platforms similar to those used in the design of real-world automobiles. The film was released for the first time in 3D on October 29,as part of Cars: The site's consensus reads "Cars offers visual treats that more than compensate for its somewhat thinly written story, adding up to a satisfying diversion for younger viewers.

Maybe that's because there's less at stake here, and no child-surrogate to identify with.

the track meet trailer 2010 cars

Lasseter loves these animated inanimate objects as though they were kin, and it shows in every beautifully rendered frame. Weekly gave the film a positive review, saying "Cars cheerfully hitches cutting-edge animation to a folksy narrative plugging friendship, community and a Luddite mistrust of high tech.

It's quite an accomplishment, and perhaps one only possible by Pixar. Louis Post-Dispatch gave the film an A- saying "It's powered by a human heart through a roadway of natural wonders and cultural signposts en route to the checkered flag.

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