Atonement Part 3 Summary & Analysis from LitCharts | The creators of SparkNotes
Question: The scene with Briony and the French soldier made absolutely no sense to meet in the cafe, when Cecelia says she has to be back at the hospital in. Atonement by Ian McEwan is a book written from a third person point of view focusing .. hospital she works at is preparing for the wounded that will come from Dunkirk; B2 . In this scene Briony meets her sister and Robbie again and. As Briony's mind begins to wrap around the stirrings of sexuality between Robbie is surely the focus of the film's sympathies and when the scene shifts to the in the London war hospital through Briony's eyes, Wright gives us the right amount She's utterly believable when they meet in London after Robbie's prison term.
World War II has started, and Robbie has been given the option to reduce his prison time by signing up to join the army.
Cecilia, furious with Briony, has disowned her family, and is now working as a nurse in a London hospital. She and Robbie arrange to meet right before he is deployed to France.Atonement - The Confrontation Scene (Good Quality)
Their meeting is awkward, but each learns that the other's feelings for them have not changed. Robbie leaves with hope that he and Cecilia might one day be together again.
Here, the POV switches to Briony, where it remains for the rest of the novel. Briony has chosen to give up her Oxford education in order to pursue nursing like Cecilia. Although she is applying herself to something practical, she still finds time to write.
While working as a nurse, she writes Two Figures by a Fountain, an account of what she witnesses with Robbie and Cecilia several years ago.
She submits it for publishing, but it is rejected. One day, Briony learns that her cousin Lola is going to marry Paul Marshall, her brother Leon's friend, who was the person who actually raped Lola five years ago. Briony goes to their wedding, but when it comes time to object to the marriage, she falls silent, and says nothing.
After the wedding, she goes to visit Cecilia, and discovers her living with Robbie. Robbie gets very angry when he sees Briony, and tells her that she must atone for what she has done to him. The retreat in France seems likely to be the very retreat Turner is enduring in the second section of the novel.
Briony processes this news, and realizes that she is the one who made this marriage possible. Her guilt follows her as she performs her nursing duties that day.
Luc and Tallis: An overlooked scene from Atonement
On a break, she tries to call her father from a phone booth, but cannot get a connection. As she walks back to work, she passes two young army medics and notices them smiling at her.
She looks away from them and feels guilty for not meeting their eyes. Jack Tallis continues to be a missing presence, while Briony realizes further consequences of her actions. She and Fiona spend it listening to a band playing in St.
The atmosphere is carefree, but as Fiona speaks about her family, Briony thinks about Robbie. If he is killed in combat, her false testimony will have contributed to the permanent separation of Robbie and Cecilia. Briony is obsessed with retracing the far-reaching consequences of her false testimony.
The way her misdeed plagues her illustrates how her actions have placed her into a world of adult obligations and guilt, rather than the relatively carefree life a young woman might be expected to enjoy. Active Themes As the band plays, the girls joke about hospital life. The girls have a fun time, but as they return to the hospital they see a dismal array of wounded men assembled outside. A doctor commands Briony to take the other end of a stretcher he is carrying, which holds a wounded sergeant.
Just as she is about to deposit the stretcher on a bed, her hand gives out.
Atonement Movie Review
She manages to catch the stretcher on her knee, but not without jostling the injured sergeant. This earns her a reprimand from the doctor. She waits by the bed to see if she can be of more assistance, and a more experienced nurse tells her to stop standing idle and get to work.
Her clueless behavior in the face of this crisis reminds readers that she is in some ways still the insecure, eager-to-please girl she was at Now, however, her motivations and ambitions are far nobler. At the same time, Briony still wants to save people, to be a hero of sorts, when what the experienced nurses want from her is to keep on working on not focus on one injured soldier.
Active Themes Ashamed, Briony goes to attend to more wounded men. She passes Fiona holding a mangled man on a stretcher, and the two exchange a shocked look.
Briony is asked to take some men up to a ward, and is shocked when they violate protocol by climbing, still dirty, into their hospital beds. She peels away the bandage to reveal a grisly gash, which she cleans gingerly.
Fortunately, what appeared to be gangrenous skin is simply dirt, and she is relieved. As she works, Nurse Drummond appears and tells her that her work is good, but needs to be faster. She continues working, and her responsibilities increase. When Briony removes the first piece, the soldier screams a profanity. Nurse Drummond promptly reprimands him for his misbehavior. Briony finishes the task and vomits in the sluice afterward.
Briony has now crossed a further threshold of adulthood. Her testimony as a year-old taught her that actions can have far-reaching, sinister consequences, but only now is she beginning to understand how severe these consequences can be.
The lush grounds contrasted with the pristine, empty, museum-like halls of the manor make for perfect fly-on-the-wall viewing.
Even while she secretly lusts for Robbie, Cecilia questions the appropriateness of inviting him to join the family at a dinner party. After days of wandering with two compatriots through the perilous countryside, Robbie finds thousands of his fellow soldiers unable to get a ship home; the German forces have decimated the British fleet and left the Allied troops without transport.
This scene is a marvel. As he did previously in the wonderful manor ball scene in Pride and Prejudice, Wright uses a continuous tracking shot to show us thousands of stranded soldiers awaiting rescue.
The film starts out slow and languid, the way one would move; drenched in heat on a sweltering summer day. The lighting for those first moments is blindingly bright and the colour palette vibrant.