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The newest crop of 'Fresh Meat' arrives in British Columbia to compete in a grueling combine day before they meet the returning veterans. In , the WHO listed one of the additives in processed meats as carcinogenic. That same additive was nearly banned in America in the s - until lobbying. Meat the Truth draws attention to intensive livestock production by demonstrating that livestock farming generates more greenhouse gas emissions worldwide than all cars, lorries, trains, boats and planes added together. Live and Let Live is a feature documentary examining our.
Next, start to bring in talent. You could have an actor in mind for whom this could be the perfect "vehicle. They'll get a chance to help make it their own. If you want to know how to pitch a TV show to Netflix, or anywhere like that, bring a star into the room. If you are more of a writer, then you'll want to bring in a creative producer. Why are you bringing in more people with your golden nugget of an idea?
Because you need to Build a team for your TV series pitch That's right. Dispel yourself of the notion that you're going to be on a creative island. Even though the industry often 'sells' that image, it's never the case in practice.
A team of writers writes a TV show. Sure, there is a showrunner, and sometimes that showrunner also is the sole creator. Even then, they're not walking that creative path of figuring out how to make a tv show alone.
Showrunners MINE their writer's rooms for stories. They depend on their cast for audiences and ratings. The sooner you can put together the key players on your killer team, the better. The more varied the talents of your team, the more 'real' this project looks and starts to become.
Be sure to also bring in artists, or anyone with strong pre-visualization talents. You should think about it very much like you are building your idea's all-star team. Together this team will build this idea into a TV show treatment example. This team will protect its fragility at the same time.
Fortifying the tv series pitch it with their talents. The more talents you can bring in early, the sooner this will go from a TV show treatment example to a strong pitch. How to pitch a TV show to a network The short answer? This is part of why you built your team. The team you put together doesn't have to come into the room with you to pitch.
What does need to come? Spoken words and words on the page don't have the same kind of impact as images do. Want to really know how to pitch a tv show idea well?
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Bring some strong art with you. Make sure some kind of mood boardor even preliminary storyboardsare part of the development process. Now would be the perfect time for you to… Check out and download our Show Bible template. Putting together a show bible with this template will give you a considerable advantage in your pitch process. You'll have nailed your logline, your one-page synopsis, even put together a cast wish list and future episode ideas.
ALL those elements will start in your TV show pitch template. So start working on them. Bring the show bible with you to the pitch. It's the most important weapon you'll have. You should come in armed to the teeth. Put together a list of actors you know that expressed interest in various parts. Bring a proof of concept you shot that blows their minds.
I had a project we shot a proof of concept for once. It got us in meetings with every major production company in town. Because film and TV are visual mediums. If you can even approximate the visuals of your show, mainly if it's high concept, then do so.
How do I pitch a TV show to a network if I can't afford all that stuff If you can't put together anything on spec, which is where most people are, not to worry. You can always source imagery and creative material from the internet to flesh out the pitch.
The mood board and world building sections don't need original art! Find clips and imagery from other shows, or movies, that help nail what you have in mind. Can't afford to hire a writer on spec? Collaborate with someone who wants another project on their plate. There are a lot of very talented writers in this town without good ideas. Get to know some. Then buy them a coffee and practice pitching your idea. If they like it See if they want to develop it and figure out how to pitch it to a network with you.
If they don't like it? How to pitch a TV show in the room We've covered some broad strokes, some essential tools. But what about how to handle the room itself? Learning the actual art of the pitch? I show them all the pieces. I teach them the rules. Then I say 'Now you try And not only because it was coming from a guy who'd sold a handful of shows.
The critical vibe that advice imparts is that the process of the pitch should be both fun and interactive. It's not a stage performance. If you used your show bible templateyou know all the elements of your show already.
So what is this meeting about anyway? Why can't you just send them the show bible? It's about interacting with them as people, getting them excited about the project.
Most of all, it's about beginning what will hopefully be a fruitful collaboration. Treat the room less like a sales pitch, and more like what it is How to pitch a TV show to your audience in the room It's easy to get caught up in what's popular in the insulated world of Hollywood.
That is NOT who your show should be for. The audience today is larger than it ever has been before. There is a ton of content for audiences to consume. The decision makers at said network or studio are thinking about that vast segmented audience out there.
Not the bubble the live and work in. So what can you do? You need to know if your show is cable or network. How long it is. What time slot it belongs in. If you're trying to figure out how to pitch a show to Netflixfor example, a time slot isn't a factor. But you could still use some of these other terms and categories as shorthand. Better yet, reference some of their other programming.
Spend less time memorizing your lines, and more time doing an 'advanced scout' on who will be at this meeting.
Where else have they worked? What does this company have on their slate?
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Tailor your pitch a bit towards the company as best you can. If you know one name at one company and you search them on LinkedIn, it frequently will tell you other names at the same company or people with similar job descriptions at other companies.
And remember that CAA agent you have? So develop your own contacts and relationships personally. Whom to Meet With? You need to realize that in order to get a job as a TV director, you have to be approved and hired by a holy triumvirate: And which execs to meet with?
In other companies, though, they may divvy up their staff by genre. Comedy or Drama execs might handle both development and current. And skinny white Jewish guys?meet the meat
I talked to an indie film director friend of J. He said try as he might, even J. You just need to give them a reason to say yes. What are they going to do, look under the hood? How to Get the Meetings. Not often, and probably not you. Also, when a director saunters in, these are simple, low-stress meetings that all execs like to have in their schedule from time to time. By and large, TV execs are inclined to hire or at least consider indie film directors: We know how to work on a tight schedule, shoot 9 pages a day and do it on a budget.
I asked one exec on the Fox lot if they ever met with commercial directors and she just laughed. One secret is to know what time of year is least stressful for them to take meetings. By the time fall rolls around, many suits are too busy taking pitch meetings for new shows to meet with directors. You just have to be patient and persistent. Your meeting will get cancelled. I had some meetings this summer that were rescheduled over 20 times over the course of three months.
But by the time you get in the room, no one will remember. And then do the same with the assistants who helped set up the meetings. When you walk in: Plan to go early to your meeting. When you get to the building, take a quick photo of the building directory and staff directory if there happens to be one. Later that day, zoom in and I guarantee it will give you other ideas of people to meet with, and sometimes their direct extensions: Resist the Seinfeldian temptation to stare down their shirts, or smirk at their stress-induced receding hairlines.
And what does it say about Hollywood when the most talented person on the lot is the security guard? This is perfect for eavesdropping. Exchange cards and wish them good luck. Over the course of the summer, I met studio heads, Silicon Valley investors, award-winning screenwriters and showrunner friends of mine in lobbies. In most of those cases, the lobby meeting wound up more productive — or at least more interesting — than the real one.
Check for Breaking News. You want to make good use of your early arrival time. Instead, whip out your iPhone and do a search limited to the last 24 hours.
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Did the company just get nominated for 15 Emmys that morning? Did the show you binged on overnight just get cancelled? Did one of their lead actors just get busted for mescaline possession on a transatlantic flight from South Korea she swore she thought it was kimchee?
When you congratulate them on their good news, or commiserate on their bad, you do more than just break the ice. It shows them that you pay attention to, and respect, both TV as a medium, but also the TV exec lifestyle as a career choice. Do You Take The Water? There is an ongoing debate among my filmmaking colleagues who have faced the age-old dilemma: Every assistant in Hollywood will make you this Faustian offer. Are you so low on the Hollywood totem pole that even the most basis sustenance of life has to be doled out to you in six-ounce plastic bottles of contempt?
If you take it, do you give up your soul? Have they won already? Kelly, did you offer him water?!? Another solution is to take the coffee. I have more energy, I talk faster and I look more excited to be there! But, if I start drinking the coffee when the meeting begins, the caffeine will only kick in when I leave the parking garage after the meeting. The trick is to drink your own coffee an hour before the meeting.
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Keep it simple and ass-kicking: But fake a couple sips in the meeting. If you look listless and bored, your episodes will be, too. Choose Wisely Where to Sit.
The exec may give you a cue to sit in the least powerful seat in the room. Instead, walk in the room like you own the network and sit with your back to the window if there is one.