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Some background, I've had 5 serious boyfriends. Of the 4 that I'm not currently dating, three are married and one has a You have to endure people telling you that the songs are super . you on a daily basis, than it is to have a long distance relationship. .. Featured Top Ten Tumblr Blogs 0 Comments. Have any questions regarding LDR? Feel free to ask me. Be inspired with cute love quotes, love songs, love graphics, etc. Disclaimer: Quotes found in this site is. Long Distance Relationship Quotes Tumblr Relationship Quotes Tumblr, Long Distance Long Distance Relationships Quotes & Wallpapers California Coast, .
Scotland during the Roman Empire One part of a distance slab found at Bo'ness dated ca. Original at the NMS with a full replica at Bo'ness  The written protohistory of Scotland began with the arrival of the Roman Empire in southern and central Great Britain, when the Romans occupied what is now England and Wales, administering it as a province called Britannia.
Roman invasions and occupations of southern Scotland were a series of brief interludes. According to the Roman historian Tacitusthe Caledonians "turned to armed resistance on a large scale", attacking Roman forts and skirmishing with their legions. In a surprise night-attack, the Caledonians very nearly wiped out the whole 9th Legion until it was saved by General Gnaeus Julius Agricola 's cavalry. Tacitus wrote that, before the battle, the Caledonian leader, Calgacusgave a rousing speech in which he called his people the "last of the free" and accused the Romans of "making the world a desert and calling it peace" freely translated.
Three years after the battle, the Roman armies had withdrawn to the Southern Uplands. However, some archaeologists have argued against this view, saying there is no archaeological or placename evidence for a migration or a takeover by a small group of elites. The development of "Pictland", according to the historical model developed by Peter Heatherwas a natural response to Roman imperialism.
By the 12th century, the kings of Alba had added to their territories the English -speaking land in the south-east and attained overlordship of Gaelic -speaking Galloway and Norse -speaking Caithness ; by the end of the 13th century, the kingdom had assumed approximately its modern borders.
However, processes of cultural and economic change beginning in the 12th century ensured Scotland looked very different in the later Middle Ages. The push for this change was the reign of David I and the Davidian Revolution.
Feudalism, government reorganisation and the first legally recognised towns called burghs began in this period.
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These institutions and the immigration of French and Anglo-French knights and churchmen facilitated cultural osmosis, whereby the culture and language of the low-lying and coastal parts of the kingdom's original territory in the east became, like the newly acquired south-east, English-speaking, while the rest of the country retained the Gaelic language, apart from the Northern Isles of Orkney and Shetland, which remained under Norse rule until The Wallace Monument commemorates William Wallacethe 13th-century Scottish hero The death of Alexander III in Marchfollowed by that of his granddaughter Margaret, Maid of Norwaybroke the centuries-old succession line of Scotland's kings and shattered the year golden age that began with David I.
Edward I of England was asked to arbitrate between claimants for the Scottish crown, and he organised a process known as the Great Cause to identify the most legitimate claimant. Edward I, who had coerced recognition as Lord Paramount of Scotlandthe feudal superior of the realm, steadily undermined John's authority. Instead, the Scottish parliament sent envoys to France to negotiate an alliance. Scotland and France sealed a treaty on 23 Octoberknown as the Auld Alliance — War ensued and King John was deposed by Edward who took personal control of Scotland.
Andrew Moray and William Wallace initially emerged as the principal leaders of the resistance to English rule in what became known as the Wars of Scottish Independence — Robert I battled to restore Scottish Independence as King for over 20 years, beginning by winning Scotland back from the Norman English invaders piece by piece. Victory at the Battle of Bannockburn in proved the Scots had regained control of their kingdom. InEdward Brucebrother of the King, was briefly appointed High King of Ireland during an ultimately unsuccessful Scottish invasion of Ireland aimed at strengthening Scotland's position in its wars against England.
In the world's first documented declaration of independence, the Declaration of Arbroathwon the support of Pope John XXIIleading to the legal recognition of Scottish sovereignty by the English Crown.
Let me tell you, they are not my cup of tea. All that stuff about being able to spend quality time via attending practices and shows?
I have no memory of us doing anything the way regular couples do. Also let me make a comment about sex. Girls want to date musicians because they are sexually attractive, sexually charged, and seem like they would be dynamite in the sack.
They are sensitive, sweet, and know exactly what they are doing. But in my experience, that seems to be the case. So I often wonder if, on a much larger scale, this phenomenon might be true. I highly encourage women to consider dating writers, thinkers — men who are more involved in literature and performance art.
They still have that charisma that draws an audience to them whilst on stage, but they are not as egotistical, they actually have a brain, and their free time is way more dedicated to their loved ones — including you. You can help do makeup, create costumes and build sets. It is very rewarding. Also most theaters are nice, air-conditioned, and clean. And there are not any groupies. Just a bunch of artists and performers — very interesting people to talk to.
With Amazing musician says: I come across these things every now and then, out of whim, I search this kind of stuff, and never have I not been surprised by what I read.
I disagree with just about everything this says…Everything. My love is in a semi-successful band. Honestly, i dont even know what they consider themselves in that aspect…but anyway. I have never ever been included in anything having even slightly to do with the band. I attend shows as support from time to time, but usually its just when they play with a big name. My boyfriend, and his band mates, are all the same, they DO NOT get the girls involved at all…ever…With the exception of maybe one of them, but Im not so sure.
If your guy being in a band is a plus to you, you shouldnt be together…. I know the lyrics to maybe one song, and only because my little sister loves the band.
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My boyfriend would hate it if I actually liked their music. I also have never had a song written about, nor for me…But I would like it…either way.
The only complaints I actually have are those that seem selfish. Everything is about music, and its almost impossible to agree on music taste. Everything goes towards the band. Its work, make music, and band…thats about it. Please help improve this section by adding citations to reliable sources. August Learn how and when to remove this template message The advent of cable television would become hard on TV Guide.
Cable channels began to be listed in the magazine in ordepending on the edition; the channels listed also differed with the corresponding edition. Regional and national superstations available on cable systems in the designated market of many editions were the only cable channels listed initially as well as, in certain markets, over-the-air subscription services transmitted over local independent stations such as ONTV ; local subscription television services were often listed as "STV Programming" or "Subscription Television" for the channel carrying the service, with the service listed separately or, in some editions, not at all.
To save page space, TV Guide incorporated a grid a rowed display of listings for programs scheduled to air during the evening hours each night, primarily organized by channel into the listings in Septemberwhich was slotted at a random page within each day's afternoon listings. The grid originated as a single-page feature that provided a summary of programs airing during prime time from 7: Channels listed in the grid were organized by broadcast stations, basic cable channels, and premium channels.
In Augustthe magazine expanded its coverage of cable programming with the introduction of two feature sections. The first, the "CablePay Section," was a separate color insert that followed the Friday listings, which provided highlights of programs airing on the national basic and premium cable channels this feature was discontinued inat which time, cable program highlights were folded into the "Guidelines" feature.
The second feature, the "Cable and Pay-TV Movie Guide" later renamed the "Pay-TV Movie Guide" in and "Premium Channels Movie Guide" ininitially followed the "CablePay" insert before being moved to the pages immediately following the Friday listings in Mayresulting in the national section — which had been cordoned into two sections, both preceding and following the local section — being consolidated into the first half of the pages comprising each issue. The "Movie Guide," which encompassed the final pages of each edition, provided summaries of films scheduled to air over the next one to two weeks on the cable channels included in both the log and grid listings excluding those featured exclusively in the grids as well as a first-page summary of the films scheduled to premiere that week arranged by channel and sub-categorized by title.
As the years went on, more cable channels were added into the listings of each edition. To help offset this, the May 11—17,issue introduced a smaller Helvetica font for the log, along with some other cosmetic changes; in particular, a show's length began to be listed after the show's title instead of at the end of its synopsis. That issue also saw advertising for local stations featured in the corresponding edition be restricted to certain special events, with most program promotions being restricted to those for national broadcast and cable networks.
Two-digit PlusCodes corresponding to the channel airing the program that a user wished to record were listed after each channel in the channel directory page; six- to eight-digit codes for individual programs were listed in the log listings section following the title of each program.
The PlusCodes expanded to all local editions beginning with the September 14—20,issue. Later that year, content from the print publication was added to iGuide as well as content from News Corporation's other media properties. The refocused site covered television, music, movies and sports with content concerning the latter sourced from Fox Sportsalong with wire news and features from ReutersDaily Variety and The New York Postfree e-mail updates for registered users, and a chat room that was developed to accommodate 5, users simultaneously.
Time-brokered programs continued to be listed in the magazine, but were primarily restricted to religious programming. Replacing the text identifiers that had been included within the film synopses, theatrically released films also began to be identified by a black-and-white boxed "M" symbol, accompanied depending on the film by its star rating a formula, on a scale of one [for "poor"] to four [for "excellent"], based on a consensus of reviews from leading film critics, the quality of the film's cast and director, and the film's box office revenue and award wins.
Beginning with the January 25—31,issue, the log listings began incorporating content ratings for programs assigned through the newly implemented TV Parental Guidelines system the system's content ratings were subsequently added upon their introduction in October A TV Guide cover from the March 17—23,issue. The cover story illustrated in the issue focused on the breakout success of the then-freshman Fox series The Simpsons ; an interview with Thirtysomething star Timothy Busfield is also previewed in this cover.
The sheer amount and diversity of cable television programming made it hard for TV Guide to provide listings of the extensive array of programming that came directly over the cable system.
TV Guide also could not match the ability of the cable box to store personalized listings. Nevertheless, beginning with the September 12—18,issue, the magazine added several new channels to many of its editions, including those that had previously been mentioned only in a foreword on the channel lineup page as well as those that were available mainly on digital cable and satellite; although most of these newly added channels were placed within the prime time grids, only a few such as Animal Planet and MSNBC were also incorporated into the log listings.
Features in the magazine were also revamped with the additions of "The Robins Report" a review column by writer J. Max Robins"Family Page" featuring reviews of family-oriented programs and picks of select classic films airing that week, as well as the removal of the "Guidelines" feature in the listings section in favor of the new highlight page "Don't Miss" listing choice programs selected by the magazine's staff for the coming week in the national color section.
Listings for movies within the log also began identifying made-for-TV and direct-to-video films, as well as quality ratings on a scale of one to four stars signifying movies that have received "poor" to "excellent" reviews.
Inthe magazine began hosting the TV Guide Awardsan awards show which was telecast on Fox honoring television programs and actors, with the winners being chosen by TV Guide subscribers through a nominee ballot inserted in the magazine; the telecast was discontinued after the event.
The July 17—23,edition saw the evening grids be scaled down to the designated prime time hours, 8: Monday through Saturdays and 7: The magazine discontinued the insert in March due to difficulties resulting from confusion by advertisers over its marketing as "the first weekly Spanish-language magazine," despite its structure as an insert within the main TV Guide publication.
Just Try to Guess What's No. This was the only one to be presented on television itself in the form of a two-hour special and referenced in the book TV Guide: Fifty Years of Television, considering the magazine's purpose to present weekly listings of regularly scheduled series.
They're the tops in toons! Charisma, Curves, Confidence, Charm! From its inception untilTV Guide had offered listings for the entire week, 24 hours a day. Numerous changes to the local listings took place beginning with the June 21, issue — in just a few select markets, when the 5: Monday through Friday listings were condensed down to four grids: If programming differed from one weekday to the next, the generic descriptor "Various Programs" was listed.
The weekday grid maintained day-to-day listings for certain cable channels primarily movie channels as well as a limited number of basic cable channels such as LifetimeThe History Channel and USA Networkwhich were organized separately from the other channels. Other changes were made to the magazine beginning with the June 21 issue in select markets and the "Fall Preview" issue elsewhere.
A half-page daily prime time highlights section featuring the evening's notable shows, movies and sports events — similar to the former "Guidelines" feature — was re-added to the listings section; a full-page "Weekday Highlights" page was also added featuring guest and topical information for the week's daytime talk and morning shows as well as picks for movies airing during the day on broadcast and cable channels.